Statement

Ruth Mordecai’s new 160 page coffee table book (10 3/4" X 11 1/4" published by Capitol Press in Hollis NH in august of 2018) is a history of 50 years of her work. See link below to interview by Bing McGilvray

https://enduringgloucester.com/2018/08/20/ruth-mordecai-eponymous/

The book was designed with the help of Meredith Anderson, designer for the Cape Ann Museum and with essays by Judith Tolnick Champa and Ori Z. Soltes.  The most recent work from a 2018 Trident Gallery exhibiton describes her interest in Hebrew stories:  a mystical The Missing Letter a series called Letters Rising. Having been originally a sculptor, the paintings and drawings have a sculptural reference. Over many years they have featured black and white paint or collage to define sculptural forms and used a variety of lines to define the pictorial space. The 2016 Homage to Matisse series shows this clear sculptural reference. Often, a dash or two of color brightens an otherwise monochromatic color palette. A series may investigate abstractions from dance, landscape or visual symbols. Usually her process translates into the stacking of various images that together have become the iconography of the work. The titles:  The Missing Letter, Letters Rising, Container, Stacks, Between Painting and Sculpture, Jacob’s Ladder/Jacob’s Dream (from Genesis) are examples of the use of this visual vocabulary.  All works are on gessoed 100% rag paper with acrylic, oil paint and collage.

Ruth Mordecai is a sculptor turned painter. Her new book Ruth Mordecai may be purchased in Gloucester, MA from the artist,  Trident Gallery or The Book Store.   Sculpture (1980-1996): A video, and Conversation with the Artist, a talk at Trident Gallery, Gloucester, MA can be accessed under Links to Videos on the index.  For 25 years her studio was in Boston's Fort Point District. It now overlooks Smith Cove on Rocky Neck in Gloucester.  She attended Bennington College and has a BFA and MFA from Boston University School for the Arts and has taught at the Boston University School for the Arts, the DeCordova Museum School and the Harvard Ceramics Studio. Her work has been shown primarily in Washington DC, New York and Boston, MA (see Resume for complete listing).  She has been represented by Trident Gallery since 2014. Her artwork is in major public and private collections including:  Boston Museum of Fine Arts, Israel Museum, Cape Ann Museum, Rose Art Museum, and Wiggin Prints and Drawings Collection of the Boston Public Library  (owns 35 works 1975 - 2013). Her work is included in Fixing the World, Jewish American Painters of the Twentieth Century, and Tradition and Transformation, Three Millennia of Jewish Art and Architecture, both by Dr. Ori Soltes, Brandeis University Press, 2002
 



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